Khondji described the scene in which Mills pursues Doe as one of the most-difficult scenes to film due to its length, fast camera movements in rain, and tight, barely lit interior spaces. Khondji used Panavision Primo lenses, which offered a sharp image with good contrast, and Kodak film stocks that could capture the “gritty” interiors and deep blacks for night-time exteriors. Seven’s aesthetic was influenced by films such as All That Jazz (1979), The Silence of the Lambs (1991), and The French Connection (1971), as well as the over-the-shoulder viewpoint used in documentary television show Cops because of its implicit vulnerability. Rain often fell during filming; Fincher decided to film in rain to avoid continuity errors and because Pitt was only available for fifty-five days before he began filming 12 Monkeys (1995).

Box office

• Clues at the scene lead Somerset and Mills to the sloth victim, a drug-dealing pederast whom they find emaciated and restrained to a bed.
• Seven was an unexpected hit, becoming one of the most successful and profitable films of 1995.
• The title sequence depicts Doe’s preparations and routines for his murderous plans, such as cutting off his fingertips, processing photographs in his bathtub, and making tea.
• According to Dyer and author Matthew Saunders, Doe conducts a violent crusade, illustrating the consequences of moral decay and sin, based on his interpretation of Christian ideology, in a city similar to the biblical Sodom and Gomorrah.
• Seven’s use of non-mainstream music by Nine Inch Nails is also seen as contributing to increased use of similar songs in films such as Final Destination (2000) and Resident Evil (2002).
• According to Fincher, the screening invitation only told audiences that the film would feature Pitt and Freeman, both of whom were known for films very different in tone to Seven.

The helicopter scenes were also filmed in post-production because there was no time during principal photography; the studio agreed the provision of extra time and funding for additional scenes if they were deemed necessary. Set in an unnamed, crime-ridden city, the narrative follows disenchanted, nearly retired Detective Lieutenant William Somerset and his newly transferred partner David Mills as they try to stop a serial killer from committing a series of murders based on the seven deadly sins. They soon realize they are dealing with a serial killer (Kevin Spacey) who is targeting people he thinks represent one of the seven deadly sins. A serial killer on the loose uses the seven deadly sins as inspiration for his murders.

Cast

“Seven” is unique in one detail of its construction; it brings the killer onscreen with half an hour to go, and gives him a speaking role. But the corpses pile up, in cold fleshy detail, as disturbingly graphic as I’ve seen in a commercial film. A break in the case comes with Somerset’s sudden hunch that the killer might have seven casino a library card.

About the movie

Writer Andrew Kevin Walker makes a cameo appearance as a corpse Somerset investigates during the film’s opening scene; Morgan Freeman’s son Alfonso appears as a fingerprint technician; and columnist George Christy portrays the police department janitor scraping Somerset’s name from his door. The police investigate the apartment, finding a large amount of money, hundreds of notebooks, and photographs of some of his victims; the cache includes images of Somerset and Mills by a person they believed was an intrusive journalist at the sloth crime scene. A remark by Mills inspires Somerset to research libraries for anyone checking out books based on the seven deadly sins, leading the pair to the apartment of a man known only as John Doe. Clues at the scene lead Somerset and Mills to the sloth victim, a drug-dealing pederast whom they find emaciated and restrained to a bed.
During its opening weekend, Seven grossed $14 million across 2,441 theaters—an average of $5,714 per theater—making it the number-one film of the weekend, ahead of the debut of Showgirls ($8.1 million), and To Wong Foo, Thanks for Everything! Fincher’s public image had also been tarnished by the failure of Alien 3, and although Freeman and Pitt were proven stars who were capable of attracting audiences, New Line Cinema struggled to capitalize on Pitt’s popularity. New Line Cinema had low expectations for Seven based on middling scores from test audiences. “Disquieting” sounds were added throughout the sequence at a low frequency, such as barking dogs and screams.
Pitt and Fincher were unhappy with the car-ride scene leading into the ending because the dialogue had to be overdubbed after too much ambient sound had been picked up during filming. Freeman preferred a storyboarded sequence of Somerset killing Doe, sparing Mills from losing his career as well, but Pitt believed Mills had to kill Doe and test audiences preferred that version. According to Fincher, the screening invitation only told audiences that the film would feature Pitt and Freeman, both of whom were known for films very different in tone to Seven. Walker was on set throughout filming to provide suggestions or on-spec rewrites but did not give Fincher much input, believing he should adapt the script as he wanted. He envisioned William Hurt playing the character but Fincher cast Freeman after the suggestion by Kopelson; the studio was concerned pairing a black detective with a white one would make Seven seem derivative of the action film Lethal Weapon (1987).

• Pitt insisted on performing his own stunts for the scene; he slipped on a rain-slicked hood, crashing through the windshield and sustaining injuries including cut tendons and nerves in his left hand; Fincher said he saw exposed bone.
• Seven also performed well in areas outside the U.S. and Canada, receiving positive audience reactions and successful debuts in Australia ($1.8 million), South Korea ($808,009), Seoul ($961,538), New Zealand, and the Netherlands.
• A 2014 poll of 2,120 entertainment industry professionals by The Hollywood Reporter ranked Seven the eighty-fifth-best film of all time.
• Oleson explores the societal phenomenon of glorifying serial killers, citing notorious figures like Jack the Ripper, Ted Bundy, and Jeffrey Dahmer, who attained widespread recognition, as well as individuals who are sexually attracted to perpetrators of heinous crimes.
• Somerset intuits that the killer is using books as the inspiration for his crimes, and studies Dante, Milton and Chaucer for hints.

Upcoming Crime movies

Fincher chose one scene in Klute in which the only illumination is the character’s flashlight, saying he disliked other films in which characters state visibility is low but the audience can clearly see the scene. To shape the character of the killer, Walker drew inspiration from his own experiences navigating city streets, where he witnessed crimes and sins unfolding openly. The studio’s marketing president Chris Pula called the advertising campaign for Seven risky because it had to prepare people for the film’s dark, violent content while making it a topic of discussion among potential audiences. Shore described the film’s ending as having a visceral effect on him; he incorporated his reaction into the sequence’s score, providing little accompaniment during the dialogue between Mills, Somerset, and Doe, but using it to punctuate significant moments such as Somerset opening the box.

Filming took place over eight days, including two days filming a hand-model stand-in for Doe. Cooper regularly conferred with Wall on ideas, and spent the night before filming locating items such as fish hooks and loose hairs from his drain, which he believed would make interesting inclusions. Artist Wayne Coe storyboarded the sequence, which Harris Savides filmed and Angus Wall edited. The title sequence depicts Doe’s preparations and routines for his murderous plans, such as cutting off his fingertips, processing photographs in his bathtub, and making tea. Cooper focused on Doe’s elaborate journals, briefly glimpsed in the film, while Fincher suggested the sequence should depict Doe.

The unlikely pair chase after the killer and attempt to solve the case before another victim falls. Pitt and Paltrow also developed a romantic relationship while filming Seven.an Freeman’s performance established him as a mentor-type figure archetype, which he would reprise in many later projects. Seven’s use of non-mainstream music by Nine Inch Nails is also seen as contributing to increased use of similar songs in films such as Final Destination (2000) and Resident Evil (2002).
In 2002, New Line Cinema proposed a sequel named Ei8ht that would be based on a repurposed spec script titled Solace by Ted Griffin. Fincher believed that leaving the implication to the audience’s imagination had been more effective than showing a special effect. Although it is only implied that Tracy’s head is in the box, Fincher recalled an encounter with a woman who believed she had seen the contents of the box. Seven revitalized Fincher’s film career, establishing him among the most iconoclastic Hollywood directors of his generation. The New York Times called the title credit sequence for Seven “one of the most important design innovations of the 1990s”.
Fincher said he would not alter the film’s content, but intended to enhance some visual elements to take advantage of modern technology and conceal any flaws made obvious by the higher resolution. In 2023, Fincher announced he was developing a 4K resolution remaster of Seven from the original film negative. The film was released on Blu-ray Disc in 2010; the release features remastered visuals and contains all of the additional content in the special edition, with an additional collectible DigiBook version containing production notes and photographs. The soundtrack of Seven was released in November 1995; the 11-track compact disc (CD) and cassette-tape release contains several of the songs used in the film such as “Guilty” and “In the Beginning”, and two pieces of the score (“Portrait of John Doe” and “Suite from Seven”) but omits “Closer” and “The Hearts Filthy Lesson”. Ebert found the ending “satisfying” but underwhelming compared to the film’s earlier events.
Pitt rejected several offers from other films because he wanted to escape his typecasting as a romantic lead character in favor of something with a more “documentary feel” with urban settings and a focus on dialogue, akin to thriller films such as The Conversation (1974). His only feature film, Alien 3 (1992), had been a negative experience as the studio edited it against Fincher’s intent, leading to him disowning the project, stating “I’d rather die of colon cancer than make another movie”.e Despite this, Fincher’s agent presented him with the Seven script. In this revised script, Doe embodies the sin of envy and kills Mills before being shot dead by Somerset, while a pregnant Tracy leaves the city. Walker believed his thriller about police officers pursuing a serial killer driven by the seven deadly sins would attract attention and help begin a professional writing career.b
His changes included extending a chase sequence depicting Mills cautiously pursuing Doe, aiming to avoid typical cinematic chases in which characters frantically pursue their target, saying that were he in that situation he would be wary to turn any corner. They mutually decided to begin filming that version within six weeks, wary that any further delay might attract unwanted executive attention and potential interference with their plan.g He had Doe surrender himself to the police because it would rob the audience and characters of the anticipated satisfaction, opting instead to leave them in discomfort leading up to the finale. This exploration led him to contemplate the idea of an individual who deliberately fixated on these sins. Walker intended to leave the script’s narrative open to interpretation to avoid invalidating the opinions of the prospective audience.
Somerset sympathizes with Tracy, having persuaded his former girlfriend to abort their child for similar reasons and regretting it ever since. She reveals her unhappiness at moving there, especially after learning she is pregnant, and believes the city is an unfit place to raise a child. On Friday, Tracy meets privately with Somerset because she has no other acquaintances in the city. He is partnered with David Mills, a young, short-tempered, idealistic detective who recently relocated to the city with his wife, Tracy. In an unnamed city overcome with violent crime and corruption, disillusioned police Detective Lieutenant William Somerset is one week from retirement.